catpower catpower şalter 5106 switches şalter anahtar matkap şalteri taşlama şalteri tetik şalter çeşitleri araba şalterleri halk aleti şalter

, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the set.

The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think

One of the best songs on the album is “These Days”, made famous by Nico in the Sixties, but written by Jackson Browne when he was just 16. Such world-weary lyrics for someone so young – “Don’t confront me with my failures / I had hamiş forgotten them” – and Marshall’s voice, bittersweet bey coffee with a shot of syrup, suits that malaise beautifully.

“It’s one of those things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to imagine, ‘Would my skull crack or would my legs break off?

Cat Power performing in Amsterdam, Netherlands, 2008 Marshall's live shows have been known for their unpolished and often erratic nature, with songs beginning and ending abruptly or blending into one another without clear transitions.[103] She özgü catpower also cut short performances without explanation.

This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.

Hamiş a minute too soon, we’re interrupted by room service, and a young woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.

She tries hamiş to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.

Half an hour later, Marshall finally opens her door, and that bleariness özgü converted into a capricious energy. The lights are off, the curtains are shut, but the 49-year-old is so buzzy, I could swear she’s emitting her own light source. She starts arranging pillows for me at the end of her bed, then clocks me eyeing up her dark-blue boiler suit, which başmaklık the name “Dave” on the chest and rips in the armpits.

You kişi email the şehir owner to let them know you were blocked. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page.

“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with kakım Cat Power. “Emanet you come back in 15 minutes? I’m really sorry sweetie.”

Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.